Tuesday, 29 November 2011

A Summary of our Planning for our/Inviting our Focus Group

Our focus group would consist of Olivia's family, brother, mother, grandmother and other family members. We are going to pitch the idea to them and explain the concept to them then begin to ask questions:

  1. What do you think of the overall idea, is it original or have you seen it done before?
  2. What do you think could be improved with the idea? Are there any concepts that you don't think would work or need improving?
  3. Is this what you would expect of a film of this genre?
  4. What sort of things would you expect to see in terms of costumes, props, set etc.?
  5. Would you go out of your way to see the film?
  6. Do you think our opening sequence would draw in the audience well?
We will also ask other questions as we discuss our film idea with the Focus group.
This is the letter we have sent out to invite them:


Outside of the focus group, Chris will also interview people out of our focus group, as he has been absent through a lot of the focus groups planning, which Olivia and I have been largely working on, and because of this it is more convenient for him to interview people outside of the focus group and work further on getting more information from other members of the public. His questions are:


  •  After hearing our idea, do you think it fits the genre we are aiming for, how and if not why?
  •  Do you think the angle of having a girl doing something desperate to be noticed by a guy is a scenario that is expected? 
  • What aspect if any would you change if you had the chance?
  • Is this a film you would particularly like to view?
  • What do think about the setting of the film?
  • Is this idea would only appeal to the younger part of the family audience?
  • Do you feel that the opening two minutes that we discussed would engage your interest?


Our Survey

We have created a survey to find out more about movie going audiences and what their interests are, in order to choose the correct sort of people for our focus group.

Click here to take survey

Thursday, 24 November 2011

WORK IN PROGRESS Opening Sequence Analysis - Hot Fuzz, The Other Guys, Shaun of the Dead, Scott Pilgrim vs. The World.


HOT FUZZ 
http://www.youtube.com/watch?v=XpeYvuV5J_I
HOT FUZZ
Directed by Edgar Wright
2007

Hot Fuzz's opening sequence sets up the main protagonist as the best in the field, with the opening sequence dedicated to how good he is as a policeman and praising his intelligence and physical skills, such as martial arts, advanced driving and advanced cycling, with the last on the list being a clear joke. 
It is largely played straight, giving the impression that it is serious despite scenes of them playing chess in a vest and shorts, as if it is a very physically demanding exercise and advanced cycling. As well as the opening sequence finishing with Peter Jackson dressed as Santa Claus stabbing Nicholas Angel in the hand, in a somewhat humorous tongue in cheek joke.  

It begins with Nicholas Angel walking from down the corridor up the camera and displaying his badge. Again parodying the film genre and beggining to set the tone for the movie which is vital for this particular type of movie.
 Conventions it uses include the fast paced opening sequences to get people into the movie (for it's action cop parody side) and also making quite a few quick jokes that you may not get straight away, but also setting up the tone for the movie.
While the opening sequence has no diagetic sound, it does possess a narration explaining to the audience a little about the character, the editing is particularly interesting because of Edgar Wright's unique style, using a very quick average shot duration, and making the scene into quite a fast paced montage in addition to just making it an opening sequence, it uses many quick transitions that again are very much a "blink and you miss it" phenomenon. It's use of mise-en-scene is very British, which is a good thing when it comes to attracting a larger british audience, which is what it was intended for, even in terms of just the setting, most scenes are cloudy, which is very typical british weather. As well as british police uniforms and models of cars which are not frequently seen in American movies, and more associated with common cars that everyday people drive, as opposed to sports cars in american movies.

The target audience for this film are British adults probably around their late twenties and early thirties, it will appeal to them because a lot of them will have probably grown up seeing Buddy cop films such as Point Break and other such films, and would like to see them parodied. As well as this British audiences like to see Britain on screen, and hear and see things that they are familiar with

This may inspire my opening sequence by making a tongue in cheek opening, introducing the main guy, as the best of the best, and then making it humorous in the fact he is only a hall monitor, but again, keep it largely played straight and serious.





SHAUN OF THE DEAD
Shaun of the Dead's opening makes extensive  use of titles,t he titles are put in cleverly, such as the main title being placed on the floor on the way out. It also misleading humour. Leading you to think that there are zombies about when there are in fact none.

SWOT Analysis for Treatment

After getting the feedback for our treatment I've analysed it again and the feedback that we've received, and have found a strength, weakness, opportunity and threat.

Strength - We had been told that we made a strong pitch, and had a lot of good research and understanding of the genre.


Weakness - The film may be too americanised, with ideas seen too commonly in America, but not necessarily over here, meaning that the film may be too hard for British audiences to relate to.

Opportunity - However this does give us an opportunity to play about with the idea, and give us ways of parodying american culture as well as the buddy cop genre, by mocking american high school shows and kids school set shows, and bringing it up the fact that it doesn't make as much sense.


Threat - It could be difficult for the audiences to relate to the situation as some parts of the film such as hall monitors/passes are not as common in the UK as they are in America.

Tuesday, 22 November 2011

Treatment Feedback

We pitched our film to the rest of the class with Mr. Lawes and Miss O'Dell, we received the following feedback

  •  Make the film more self aware
  • Take inspiration from things such as "real life superheroes" and parody films
  • Rethink and change things about the opening sequence
Our sequence:

  • The Hall Monitor entering school
  • He is pulled over by a teacher who says he's taking his job too far, and he is just a hall monitor.
  • He see's someone littering, pushes the teacher aside and briskly walks over to them as they run away.
  • He calls over his sidekick and they both speedwalk after him
  • Freeze on title screen
Here is the video recording of our treatment pitch:

Monday, 21 November 2011

Action-Comedy Treatment Template

Hall Monitor
A Screenplay by Andrew Bryan, Daniel Wright, Olivia Barry & Chris Adegoke
21.11.11
From BiggerBoat productions
An original screenplay by Andrew Bryan, Daniel Wright, Chris Adegoke and Olivia Barry

21.11.11

By the Production Company: BiggerBoat presents a Family focused Action-Comedy about a hall monitor who takes his job far too seriously. He teams up with a fellow student his sidekick, who thinks Alex is stupid and borderline psychotic, in order to stop the sabotage of the school Prom and keep general peace.

As the story unfolds it is discovered that it is Alex's love interest that has committed the attempted sabotage in order to get him to notice her. Through stopping the attempt to sabotage the prom he is rewarded but also gains the knowledge that there's more to life than being a hall monitor... knowledge that he then abandons to stop a litterbug.

This film will be like Hot Fuzz meets Mall Cop.

Our key focus is to make a family orientated fun comedy-action film that gets laughs that is directed towards a family/young person (12+) audience.

The Hall Monitor (Andrew's Movie Pitch)

The Hall Monitor would be an action-comedy satire of the buddy-cop genre, played straight and serious. Alex Duncan is a hall monitor in his school, a job he takes far too seriously. It is his job to make sure that there's no running. litter or otherwise breaking the rules, however when an unknown student threatens to ruin the prom, Alex Duncan takes it upon himself to investigate and stop the saboteur, with the aid of his bumbling partner Tom, who is far more inexperienced and doesn't take his job too seriously, and just sees it as a way to get extra credit.
The movie starts off with a chase scene between Alex and Tom, who are tracking down someone who is walking the school without his hall pass, to get the audience laughing and interested. Then they are called into the head teachers office, who says that actively chasing the students is not the correct way to deal with rule breakers, and that they should instead report to a teacher.
A secretary comes in with a series of posters saying "I will ruin the prom", Alex sees these and without the head teacher knowing, takes it upon himself to track down the information required to find out who did it, in a classic cop/detective style, trying to get leads from different students.
Eventually he finds out what student planned on doing it and with the help of Tom brings him to justice (the head teachers office) while the prom goes on, in addition to this a girl in Alex's class is trying to win over his affections, but he is too blind to see it due to being too involved with his monitor duty.

Tuesday, 15 November 2011

Final Task - Genre Research

We each researched a movie genre to decide what would be best appropriate for our final task video.
I chose to research action/adventure movies Action Movie Research

Monday, 14 November 2011

Genre Convention Research: Peer Assessment Feedback

To practise keeping within movie genres, we were given the task of coming up with the idea for a Gangster film, with three potential opening sequences, and a list of things we would do to stay within the genre and something we'd do differently.

The plot of the movie revolves around Marcus, a man who always wanted to be a gangster, and one day he gets the chance from his uncle Vince, a prolific Mob Boss. At first things seem fine, but eventually Marcus realises there is a much darker side to being a gangster than he ever possibly imagined.

To stick to conventions of the genre I chose to include:

  • The distinct Italian/ New Yorker accents of old gangster films
  • People dressed in suits with ties
  • A dark but upper class tone to the film and the characters in it
  • Largely violin/piano driven jazz music, reminiscent of the Godfather theme.
  • Harsh language
To change something from the genre I wanted to include a few more african actors, as I've felt that american gangster films are very white heavy, and while this may be because that a lot of mobs in america where predominately white, it would be nice to see more black actors in roles in the mob.

The three possibly opening scenes I came up were as follows

  1. A gangster explaining why he was unable to pay off Uncle Vince the money he owes him, and it's with dark lighting, Vince then gives the word and two of his men shoot him.
  2. Marcus is patrolling the streets watching crimes happen around him, he has a monologue about how the town he lives in is over run with crime and how he came to become a gangster
  3. A brief shoot out between the gangsters and police in which Marcus is gunned down, a monologue begins as he dies to explain his life and how he got to where he is now.


My group read over these and had mixed reactions to them, on one hand they felt that the third opening sequence was the best as it had more action in it, to draw in the audience as opposed to the other beginnings, but they also felt that the second was a very strong opening too, with it being the favourite for some of the group. The first was not as popular however, my group felt it was too generic and didn't do anything particularly new, and that there should have been more of a twist to it to keep it interesting and new.

Thursday, 10 November 2011

Prelim Evaluation

The brief of our preliminary task was to create a 30 second video of one character walking up to a door, opening the door, entering the room then sitting down and having a face to face conversation with a second character, it had to show match-on-action, the 180 degree rul, shot/reverse shot.

I think that we worked as a team very well as the four of us get on incredibly well and shared similar ideas on how to make the short video work well, this probably played a key factor in our success working as a group because of how well we got along, at no point did we argue with each other or have disagreements about what to do, we all worked very well together and each put our best skills to use, for example Alisha is a very good drawer, so she worked more on drawing storyboards to give us the best impression of what should be seen on screen. Also Jamie, James and I opted to write the script out based on Alisha's original concept (she had come up with the idea) and used our drama and writing skills to write a funny script and act in the video accordingly. Everyone contributed to every aspect of the video however, everyone took a turn in both filming and acting, when shooting the actual footage, and everyone took part in editing. 

I think we met most of the brief, we used shot reverse shot as you can see here:
And we also used the 180 degree rule in these shots as well without ever filming over that 180 degree angle. 
In addition to this we also used match on action for our first scene of Jamie coming through the door.


The only part of the brief that we did not match was the 30 second length, our video was one minute and twenty-three seconds long, however I personally feel that this has probably helped us in practising for the upcoming final task, as it will require a longer film.

All in all I think that our production of the Prelim Task couldn't have gone better, everyone got in incredibly well and we created a well made video that fit the brief in most areas, and we all enjoyed making it, everyone took part in absolutely every aspect of production and we can't wait until the four of us can work together again for the final task.







Monday, 7 November 2011

Prelim Video is finished

Finally finished editing the preliminary video in all its... "glory". Filming went pretty well and editing was simple enough, we managed to finish most of the editing in one lesson in two hours.
You can see it here:

Thursday, 3 November 2011

Filming and Editing the PreLim

Wednesday we began to film the prelim, we got all of the scenes filmed
We started editing today and have managed to finish most of it.

Wednesday, 2 November 2011

Let The Right One In


1)
Horror is a genre I’ve always had mixed feelings
about, while I love horror movies that are well made, one must also take notice
to the fact that horror movies can be made on the cheap quite easily, and
because of this for every good horror movie that comes out that I really enjoy,
dozens more come out from small production companies and TV channels such as
the SyFy channel, meaning that good horror movies for me, are quite few and far
between, however I would say I am a fan of well made horror movies, as I am
with well made movies of any genre, however when it comes to foreign films I
have more of a distaste to them, the reason for this is not because I don’t
like foreign films or their subtitles, but because when you translate a film between
languages via subtitles or dubbing, you are re-writing the original script of
the movie, as many words in different languages do not have an exact meaning,
instead just a loose translation. This means that when I watch a film, I can’t
always be sure if the subtitles are actually correctly portraying the script of
the movie (this was something that American viewers of “Let the Right One In”
complained about, as the DVD version had inaccurate subtitles.), however I do
have a lot of respect for any foreign film that has a good enough reputation to
be popular in Western Countries, as it is a true testament to how hard the
filmmakers have worked on their art.

2)
The trailer to Let the Right One In draws in its
audience in an interesting way, it could be argued that it doesn’t try to draw
the audience in, in the conventional horror movie way (the same as it could be
argued that the movie is not a horror as much as it is a dark fantasy) and
instead seems to go for more of showcasing the film itself, it starts of eerie
with little going on but the music carrying the trailer, and then begins to
show its horror aspects with Eli killing someone, but then draws upon the
friendship between Eli and Oskar, it’s an interesting trailer that would
encourage people to see the film just to find out what it was about, the only
clear target audience would be fans of vampires.

3)
In
booklet

4)
The theme of being an outsider is present
throughout all of Let the Right One In, especially for Oskar, who is not shown
with any friends other than Eli, with the only other children he’s seen with
being those who are bullying him. This is also true of Eli who only interacts
with two characters, Oskar and Hakan until the climax of the film, because Eli
is a vampire she is segregated from the rest of the world in that, she can only
come out at night and due to her being a vampire, most people she met would
more than likely be food than friends. Oskar seems to be a very hurt and
tormented loner, spending much of his time in solitude and cutting and pasting
newspaper articles into his scrapbook, then going out and playing on his own
with his knife, acting out fantasies of hurting and killing the people that
bullied him.




5)
I liked these characters in the same way I like
villains such as Hannibal Lector, and the reason I use him for this comparison
is this. When watching Let the Right One In I did not feel personally that this
was a sweet romantic film about two outsiders that find each other, I instead
perceived the film in a much darker way. These characters are so multi-layered
that when you put thought into it, you can see quite well what sort of people
they would become in later life.
First is Oskar,
while at first he seems like the typical shy reclusive boy who’s been bullied,
you can feel sympathy for him and he may seem quite sweet, and while he may be
a sweet young boy he also has quite a dark subtext behind him. Oskar shows many
signs of becoming a serial killer, he is very reclusive and does not socialise
with anyone outside of his mother and Eli, he is shown to have no friends in
school and is always seen either alone in school or bullied, which may just
seem like he is unfortunate in that regard but many serial killers come from
backgrounds of being bullied or outright terrorised at school, also Oskar
unfortunately has divorced parents, which makes his home life rather difficult
and as children many serial killers are often abandoned by the father or have
very controlling mothers, or both. Of course these things can happen to anyone
without them becoming a serial killer, but it seems as if this movie wants the
audience to know that. He often shies away in his room and does nothing but cut
out newspaper articles to keep and pretend to kill his bullies, not just hurt,
but kill, because of these signs to me it also makes Eli’s character even more
sinister than I already found her to be
Eli is a vampire and likely hundreds of years
old and Hakan goes out to harvest blood for her, when he fails she is angry and
scolds him, and eventually when he fails for the last time in the hospital, he
allows her to drink his blood. This is clearly not the relationship between a
father and daughter, and when you see how the characters look at each other and
talk to each other their true relationship becomes much more evident. Hakan and
Eli talk almost like a couple in a loveless marriage, when Hakan is getting
ready to go out to harvest blood for her he states to Eli that he’s not good
for much else, which indicates to me that he is now harvesting blood for her as
a job, and because he just doesn’t know what to do with himself now, as opposed
to a labour of love in the past, also certain aspects of the performances such
as touching each others face have given me the impression of Eli that may be
quite sinister compared to others interpretations. To me, Eli is not looking
out for Oskar because she loves him, or because she deeply wants to be his
friend, but is instead befriending him as she knows that he is someone that
could harvest blood for her, based on the tendencies he has as a boy at the
moment. She even states in the film that she’d like him to kill for her, and an
entire scene has him attempting to kill a man for her. This is not a romance, I
like Eli not because she is a sweet young girl (in fact both the source
material and one suggestive scene in the movie indicates that she may not
actually be a girl, however this is not as relevant to the question) but
because she is in fact a dark and manipulative villain, taking advantage of
Oskar to replace Hakan, who she likely also befriended at a young age.
These characters
are dark, and are rather haunting, which I like. The movie presents us with
characters that are quite true to life from a psychological aspect. I find them
both to be very interesting and to quite a large extent, believable.


6)
I found that the narrative was very slow in its
pacing, which I liked, I felt that we got to know these characters more through
the pacing than we would have done should this have been any run of the mill
horror movie. In particular I liked the theme of how bullying affects children,
although I did not find the bullies intimidating, I could clearly feel sorry
for Oskar and understand, despite never being bullied myself, I could
understand the hurt he must feel and his loneliness, I think this was part of
the story that was touched upon rather greatly. One of my favourite scenes of
the film was when Oskar decides enough is enough, he is done running and he is
done taking abuse, the moment that Oskar stands up to his bullies and injures
one of them, I felt a sense of pride for him, and it is in fact my favourite
scene of the movie.

7)
Oskar’s relationship with Eli could be
considered unusual whether you believe in the romantic relationship, or the
using relationship that I believe in. It’s not very often we’d see characters
of such young ages become romantically attached to a vampire, while the concept
of a human-vampire romance has been done with characters like Buffy the Vampire
Slayer with her two vampire lovers, Angel and Spike, over the series’ run, and
with new films such as Twilight and even “Bram Stoker’s Dracula” starring Gary
Oldman, none have ever used characters of this age before, the closest to this
age ever seen before was most likely Buffy, who’s character was aged 16 when
she was involved with Angel, and I think that it adds quite an uncomfortable
feeling when watching this movie. There is such a childlike innocence from
Oskar that makes me feel very uneasy especially with Eli’s motives and some
scenes such as Eli laying in bed with Oskar, made me feel very uncomfortable
watching. I don’t think this movie would have worked if Eli was not a vampire,
or any other paranormal entity, I think that a lot of this films narrative
relies on the childlike innocence of Oskar and how he feels towards this
vampire, a creature far more powerful and dangerous than he would ever be,
however I would also say that if this film had been written with Eli as a
normal girl, this film probably would not have been nearly as successful. People
like vampires, because of the mystery surrounding them, they are between life
and death but not stupid like a zombie, and while they have violent animal
impulses they can hide them, unlike a werewolf, I think that the vampire
symbolises danger in these films and almost playing with fire. If this film had
not been about a boy and his vampire friend, this film probably would not have
been as successful because audiences wouldn’t feel that rush and that sense of
danger when watching it

8)
Let the Right One In shows Eli living in an
apartment with the windows blocked out to keep the sunlight from shining in and
killing her, but aside from that fact the apartment is relatively normal, this
can either make the vampire eerier in that she lives a relatively normal life
and then goes out hunting for people or sending Hakan out to kill people for
their blood, or it can diminish the fear we’d normally have for a vampire,
similar to how we are not generally afraid of dogs, but we are scared of their
wild counterpart, the wolf. However I
would say that in some regards this can help people feel more comfortable with
the vampire, it did not for me however, I found Eli to be more frightening in
how she lived in a relatively normal home, but then knowing what’s going on in
that home, because that home could be anywhere, even next door to you, and
you’d never know.

9)
As I’ve previously stated, I think that Hakan
has been incorrectly labelled as her father and I believe he was almost
certainly a boy she convinced to kill for her at a young age, much like what
Oskar is now. Hakan to me adds something more to the character of the vampire
by giving an insight into what a relationship with a vampire would be like, for
them to remain forever young, and while the human does not. I believe Hakan to
have been a previous partner of Eli for many reasons I have already stated, but
also because he asks Eli not to see “that boy” (Oskar) one night, there was no
given reason for this, Oskar was not a danger to their lifestyle, I believe
that Hakan simply felt jealous and threatened by this new boy that Eli was
spending a lot of time with, and probably foresaw Oskar’s future and wanted Eli
to stay away to prevent this from happening. While I don’t think this shows
anymore of Eli’s character, I think it does speak volumes about their
relationship, and I think in a way it does subvert the familiar tropes with
vampires, we are not seeing a strong and scary creature all the time.

10)
I feel sorry for Hakan, he shows a lot of love
for Eli, even committing murder for her so that she can feed and putting his
own safety from both the people he attacks, and the law on the line. The two
contrasting scenes I have selected are Hakan’s death, and Eli scolding him for
not being able to get her blood. They
contrast due to the fact that while one scene has the two angry at each other,
the other shows Hakan loving Eli so much that he is willing to die for
her, (prior to which he also burned his
face so that he couldn’t be used as a means to find her). I believe that most
people probably would not understand the relationship between Hakan and Eli
however, due to many misinterpreting it as a father/daughter relationship when
it’s nothing of the sort, the movie never even makes this claim, and as a
result of this people would not have the appropriate emotional response they
probably should have because of this. I feel that many people would just be
shocked by the fact that Eli just drunk from her “father” and wouldn’t think of
the subtext behind it, that Hakan is an old man who cannot provide blood for
anymore aside from giving her his own.

Tuesday, 1 November 2011

Started the pre-lim today

Planned with, Alisha, James and Jamie. We've got the script and storyboard done, hopefully we'll start filming tomorrow and get the costumes ready today.